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Koira / Marshmallow

by Celogen

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1.
Intro 02:53
today I am massive and full of gelatin I sweat spermatozoa like nobody like nobody and everything looks beautiful when you’re beautiful even your still-born uncle and your barren sister traipsing over Christendom traipsing over Christendom I’m here to save you I’m here to save you with smoke rising to choke the fruit flies reveal your eggs to me everything looks beautiful under sunny mansion skies even your great-grandfather I can barely breathe I’m here to save you chuckling smirking anything
2.
what got sucked in the slipstream? what got sucked in the slipstream? first it was the ethereal shameful, unspeakable desire smarting echoing sorrow, evil altered voices a sterilized colostomy bag what got sucked in the slipstream? the water hastened the shape began to mutate a human garden drained blood through an aqueduct; that got sucked in the slipstream what got sucked in the slipstream? your engagement ring and priceless Ming vase what got sucked in the slipstream? a gentle house in a respectable neighbourhood with bones throbbing in asbestos what got sucked in the slipstream? you used to squirm like nightingale nerves, taped to a Himalayan salt lamp remember that darling? until I bought that one-way ticket to Thailand what got sucked in the slipstream? the body was barely cold when we found it there was a pool of blood as black as a limousine driving influencers to a cocktail bar my ears are still ringing with the sound and everything is completely OK everything is completely OK everything is completely OK my muscles are growing fast what got sucked in the slipstream? two tablets of Dexedrine and a pot of rotting manicotti! what got sucked in the slipstream? a born-again surgeon with a cattle gun! what got sucked in the slipstream? the pills that stop horses from vomiting kicked in and I shot you a million times in the brain I’d never felt so man in my life and everything is completely OK everything is completely OK everything is completely OK my muscles are growing fast what got sucked in the slipstream?
3.
well, you couldn’t bother with it! I want 20 pictures, oh, and I imagine you’re still outside in the light, maybe you could just open it up and see, I think I’ve got a solution, boy, beautiful, thank you, I hope you’re feeling better, I just talked to Kathy and she said that um, you’ve gone to the doctor and gotten some amoxicillin, I guess I’ll just wait til you get home, hopefully, um, you’re totally on the road to recovery by now, uh… a stroke at 35 years old was his teenage dream come true at last that snowdrift innocence at last that misty youth a stroke at 35 years old every bitter, sad deceit went billowing forever through the dazzling streetlight scene make your bed and (Monday) never lie in it make your bed and (twelve) never lie in it truth’s whatever gets you out of conflict make your bed and (Monday) never lie in it make your bed and (I love you) never lie in it truth can disappear and leave a perfect slit I could just laugh at you! I thought maybe you’d be gone… I thought maybe you’d be gone… three, um, hi, dinner, gosh, brother, library, love, machine, Jenny, sociology, I’d like that as soon as possible, sorry, number, creeping, floor, asparagus, bloated, permanent, tornado, thank you, you’re not home, ok, thanks, bye so, I was wondering if you wanted to, to go out and do something a stroke at 35 years old and the slate had been wiped clean the quickest route to virtue is to bury who you’ve been make your bed and (Monday) never lie in it make your bed and (twelve) never lie in it truth’s whatever gets you out of conflict make your bed and (Monday) never lie in it make your bed and (I love you) never lie in it truth can disappear and leave a perfect slit
4.
face down in bed, crude, ragged covers and ragged rouge last swig of cheap, sad gin crosses out all you have been what bird of prey escapes? what bloody nose and tear-soaked face? why do I find you in this place? why doesn’t God fix his mistakes? I mean a lot to you I mean a lot to you and it’s awful clear what’s happened here when you let the dogs run through I mean a lot to you I mean a lot to you and you swore as much, so fair enough I won’t wake you up too soon face down in bed, splayed, so I let the door creak and shake that’s barely all it takes to reveal your bleary grace and your blurry arms stretch out your distant gaze and dried-up mouth skin like Atlantis in a drought colourless secrets that never sprout I mean a lot to you I mean a lot to you and it’s awful clear what’s happened here when you let the dogs run through I mean a lot to you I mean a lot to you and you swore as much, so fair enough I won’t wake you up too soon stumbling drunk, dressing gown on, through the hall stumbling drunk, dressing gown on, through the hall stumbling drunk, dressing gown on, through the hall face down in bed, strange, I forgot what I had to say sweet smell of coming rain I shut the window and turn away and in someone else’s town another house burns to the ground and with it goes your ancient crown and all that grows where you are found
5.
Jellyfish 04:32
so it’s no longer reams of paper strewn across the bedroom floor so it isn’t nights spent sobbing anymore it’s not that blurry sense of loss and not that burning stitch of God upon the lonely road to where you’ve already gone there’s fine froth that flows through autumn like the bubbling of highway lights rushing off where they belong, so ashamed to be alive and how I hope your big day arrives beneath that haunted golden sky so I’ll be drunk as hell, and you will be bathed in spite still, I’ll laugh a damn sight harder than you ever thought I could at the dreams of the youth, at the names that they carve in wood for I still feel my own tattered glow how I strove to love without a stitch of hope and all the damage I did to you surely proves that I came close but you’re not pure, and you’re not polished you are just preoccupied and I’m a hypocrite to say it, for so am I the night you swore that our youths were dead you painted a perfect picture of a world without end and so I knew that neither of us had ever been yes, I knew that neither of us had ever been
6.
(instrumental)
7.
stop, stop struggling stop, stop, stop struggling all it does is drag you deeper the ropes are all torn, the ships are wrecked the flying machines all genuflect stop, stop struggling stop, stop, stop struggling all it does is drag you deeper deeper into the sepia sea til all that remains is me and all that I have left is swelling rosemary sky and the murmurs floating on down the street and all I will remember is you thrashing for life so pathetic it reminds me of me but you, you’re unique, for you can’t really die you can only be buried alive I play the part of corporeal failure and you play the bright satellite and laughing so snide at the crests in the sky you’ll be free, you’ll be honest, you’ll be kind so, stop, stop struggling stop, stop, stop struggling all it does is drag you deeper I’ve never enjoyed your company so much I’ve never felt quite so touched stop, stop struggling stop, stop, stop struggling I want to see your muscles glimmer if I am so empty, I choose control at least to be whole know this, my friend, know that all that I have left is swelling rosemary sky and the murmurs floating on down the street and all I will remember is you thrashing for life just like all I ever wanted to be
8.
you know how to whistle, don’t you? just pinch the chest of a poison dart frog you’re a lover now you are used to the reek of formaldehyde it’s the only thing left that is keeping you alive so, grow, grow, engorge with the fluids don’t you want to be pale and pure and pristine? just like Theseus’ ship like a rip in the aching moonlight as I swallow your lymph for eternal life it’s a paper-thin night it’s a paper-thin night and these stars are mothballs so infinitely bright it’s a paper-thin night it’s a paper-thin night and these feathers are flayed laying deep in your spine so eternally intertwined yours and mine friend, are you worried? everything is working, everything’s a breeze you don’t know what is left to feel you can’t discern the truth if not freezing begging, don’t touch me leave me to my own devices, I will right all my wrongs and close you out for good I will cocoon beneath the red embers you’re a lover now know this means you are also guilty but you know how to whistle, don’t you? it’s on the tip of your tongue when you lay there and swell like a force-fed dove like a lung shakes hands with a blood clot like the only thing left that you know you’re not it’s a paper-thin night it’s a paper-thin night and these stars are mothballs so infinitely bright it’s a paper-thin night it’s a paper-thin night and these feathers are flayed laying deep in your spine so unnaturally enshrined you’re a lover now know this means you are also guilty
9.
Longyearbyen 05:15
what does it take to uproot a flowerbed? to give away your childhood? to live in solitude and still, still, still feel your pulse in our brief lives I was cruel to you selfish, vindictive, frenzied a cigarette burn curare through the dark in the windy halls just like a death just like a death in the dream of summer underneath the bloodshot moon and you’re well-prepared, you always have been to be called on by the autumn to live in sorrow like you swore that you would do you would seed the swelling clouds if it would just bring back the rain but oh my friend, it can never rain the same so, what does it take to hold that knife in your hand? to tell yourself you’re not alive to see the wolf cub’s eyes and still, still, still believe in trust well, call me the idiot for in my time I have dished it out I have wrapped you in silver, wrapped you in seaweed left you to hemorrhage with cholera on the street ripped sleeves, poison oak, fireworks pale ovaries, follicles, and spleens and all the helpless, aching loneliness instructing you to cling or to drown beneath the stretching green I used to wish there could be a split between those you kill and those you carry so I could hem your t-shirt, darn your socks, die with dignity I could atone for the bitter hermit I had been and leave a smear upon the sky one more work of graffiti you would never see “I hope you’re happy now I hope you never really loved me” the last time I ever saw you all you said was “God, you’ve changed” I couldn’t be the bigger man couldn’t be the bigger man, so I walked away please tell your family the walls are only settling when the house begins to shake such envy, so afraid of loss so deathly afraid of shame
10.
The Wanderer 06:21
wanderer, if there’s nothing left but death can you leave with zero regrets? are your crushing past and your plaster casts just checks St. Peter will cash? is it really simple as that? cause wanderer, I think my hour has come I can feel it shine in your sun just your bloody mind and your muddled spine remain to lead me through time to a God you built by firelight and I sleep, a shivering satellite awake in a river’s towering reeds a colicky hereafter on a stork lost at sea I can almost trace that sharp silhouette with eyes focussed, with eyes focussed and so, I build a ladder from the bloodlines of youth as it slowly flows away from me and into you and I carve my aching jawbones into hardened blades I don’t know the way, I don’t know the way and I hack on through the present tense to meet you there in a history swallowed by an infinite tear so I can give away the love I could have sworn I knew cause all awaits you; all awaits you; all awaits you and aren’t you glad to be so beautiful? just like all you’ve ever known? aren’t you glad that you don’t want to die alone? aren’t you glad to be so beautiful? just like all you’ve ever known? aren’t you glad that you don’t want to die alone? aren’t you glad to be so beautiful? just like all I’ve ever known? aren’t you glad you have the chance to live in hope? and wanderer, you alone will know the signs that the water’s flowing too high and since nothing’s ever lost, only half-forgot you will build a gleaming white boat from the truth we’ll never quite know the detritus we used to hold and you’ll guide us upward toward home

about

you kicked is isto ming on the deal, and your muddleave pres fly sper. that se of lover lipstroke will be sinfinideath.
briefuldn’t reathat, so die beneatelliked.
so deepere slipsing, so deepere slipsing,
I the grow, so to leevilholead I lay thered embeginstrugglad.

smars muddlerashot that?

credits

released January 7, 2023

Dominic Demierre - vocals, arrangements, programming, electronics, keyboards, drums, bass, percussion, guitar
Fetus Blasters - electronics, sound manipulation

produced by Dominic Demierre.
mixed and mastered by Dominic Demierre.
all songs written by Dominic Demierre.

urchin spike

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Celogen Calgary, Alberta

I have seen everything and known everyone and I am still not tired!

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